They lived in poverty, screwed by the superpowers of pulp fiction and the movies: their publisher, Detective Comics, held the claim to copyright. Sadly enough, Siegel and Shuster made nothing out of Superman. But where did he leave his spectacles, shoes, socks, tie, suit, shirt and shorts? Where would he have changed today, in a world of mobile phones? He came from the planet Krypton, in a galaxy as far, far away as a Ukrainian shtetl, and had the uncanny agility to change his clothes in a telephone booth. Jews surely! Two Jews had given America a hero who fought evil! I thought they must be rich. First thing I noticed was that Superman was written and drawn by Jerry Siegel and Joe Shuster. NOTE! Consider delaying until first div on pageīack in 1939, I suddenly discovered Superman, after investing a small coin in Action Comics. If (slot) slot.addService(googletag.pubads()) (function (a, d, o, r, i, c, u, p, w, m) The sad story of Siegel and Shuster - The Jerusalem Post
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Rachel had her fifth birthday in Kodagu (then called Coorg), south-west India, on the first of her journeys with her mother they later went to Baltistan, Peru, Madagascar and Cameroon. Her daughter, Rachel, deliberately conceived with Terence de Vere White, the literary editor of the Irish Times, was born in 1968, and her mother raised her alone, never naming the father publicly until after his death in 1994. She never intended to marry, but once able to support herself through writing, did want a child. She was sure of her own life’s direction, if uncertain of its meanderings. Tall, deep-voiced, muscled, practical and with a decisiveness accrued from constant solo choices, she was often taken for a man by other societies, and occasionally romanticised the restricted roles of those societies’ womenfolk, which she would never have put up with herself. Murphy’s attitude to gender and social norms was also uncommon at the time. Coming fast down a mountain road always thrilled her touring the Balkans in her 70s, she was clocked descending at 65mph by a military patrol and reproved for not applying her brakes. Aged 10, she had realised on riding her first bike that simple pedal power might one day take her to India, and on the way there she discovered how each day’s whizz of the wheels of her Armstrong Cadet cycle, Roz (short for Rozinante, Don Quixote’s horse), carried her forward to kind strangers’ hospitality. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. Something stirred in the heart of Sierva María, for she wanted to hear the verse again. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did." "He wrote three eclogues, two elegies, five songs, and forty sonnets. "It is a verse by the grandfather of my great-great-grandmother," he explained. "O sweet treasures, discovered to my sorrow." She did not understand. “He had not stopped looking into her eyes, and she showed no signs of faltering. So, has the djinns appeared? Go and find out. Segal, descendant of a Mughal general, is exercising the ultimate revenge by playing an Anglo-Indian lady. As the play’s Dalrymple, Alter has never before met the author and has denied copying his mannerisms. “I have given the narrative its real sound and music, its characters their true lingo and accent.” His confidence springs from a cast that boasts of veteran actors Tom Alter and Zohra Segal. Rudra Deep Chakrabarty, the young, curly-haired director, has claimed to recreate the book’s most evocative moments. More than fifty actors, including real-life snake charmers, calligraphers, hijras and qawwals are strutting their stuff at the Indira Gandhi National Center for Arts – with the Maati Ghar monument, a synthesis of Mughal and modern architecture, as an apt backdrop.ĭoubting Thomases may wonder at the wisdom of transforming a city’s portrait into a two-hour play, but Dalrymple has given his blessings to this ambitious Dreamtheatre production. Those who relish William Dalrymple’s City of Djinns can re-live the book in open-air performances in which djinns are being summoned from the ruins. Author William Dalrymple’s classic portrait of Delhi has been adapted for the theatre.Īladdin’s lamp is out of the trunk. |